[The original idea for this text was that it would consist of only a few short notes that illustrate the problematic of writing on the internet; the planned brevity has however remained only a plan. The reality of writing this text has proved, on the contrary, a task that defies condensation. I would then like to warn the reader in advance; the length of the text is significantly longer than the other posts on ‘The Night Shift’ – the word count comes to about 3,500. I do hope that it does not make for tedious reading; even though I have tried to keep the text clear, there will crop up at times certain digressions which I hope the reader will simply indulge. Also, I have been working on this text on-off since the launch of ‘The Night Shift’ but I feel that instead of continuously refining the text (which could go on forever!) it has become clear that it is about time to just post it, so apologies for the errata.]
On the Narcissism of ‘The Night Shift’
Not knowing what he sees, he adores the sight;
That false face fools and fuels his delight.
You simple boy, why strive in vain to catch
A fleeting image? What you see is nowhere;
And what you love – but turn away – you lose!
You see a phantom of a mirrored shape;
Nothing itself; with you it came and stays;
With you it too will go, if you can go!
- Ovid
I would like to discuss here Narcissism. I would like to discuss more specifically the Narcissism of writing, that is, everything that is written here, under the title of ‘The Night Shift.’ I would like to set the text off by way of a general question: why do we desire to be seen, to appear? Before this question is developed, let me provide a sort of cursory definition of the term Narcissism. It has become common knowledge amongst academics that the term ‘Narcissism’ runs parallel to the works of Sigmund Freud (Oedipus would be another name that forms such an instant conjunction). The very reference to Narcissism is to a certain extent a theoretical reference to Freud; perhaps we would do better to think rather of Narcissus. This of course would suck us back into the academic realm we wish to maintain, momentarily, at least some distance from. Seen as though ‘The Night Shift’ is not limited by the confines of academia, it seems very plausible to think Narcissism without recourse to Freud (of course I will not feign ignorance of his thoughts on the topic, however, I do not think the thoughts I sketch out here require any knowledge of his work; which, I might add, leaves me open to criticism of the severest kind!).
By Narcissism then, I mean very broadly a relation of one’s self to itself; an auto-relation. This general definition is to be grasped on a preliminary reading the famous myth of ‘Narcissus and Echo’, to which we shall return (and from which the epigraph above is found). Narcissus’ fate is well known. Narcissus is blessed by the gods with a divine beauty that, paradoxically, carries and casts his miserable fate and his organic future (in the shape of a little flower). After refusing numerous advances of his enamoured country folk and the advances of supernatural beings (Echo the wood nymph), Narcissus catches a sight of himself in a pond and falls madly and dangerously in love, and yet, it is precisely this love that, for Narcissus, is unattainable. Through his zealous excessive auto-relation Narcissus effectively commits suicide (by over-exhaustion). It will be important to forge a distance from the negativity that the immediate interpretation of the myth points towards. Indeed Narcissism is directed unhappily towards self-annihilation. But through a re-interpretation of what the effects of self-annihilation could lead to, maybe we will come to an understanding of the myth that goes beyond positive or negative. Let us turn back to our concern: why do we desire to be seen, to appear?
Perhaps, more than any other technological system, the Internet has radically globalized this desire for appearance. It comes as no surprise that ‘The Night Shift’ then, takes the form of a website in which readers can enter at any time and choose to participate more actively (in the form of contributions) or more passively (by simply reading the texts provided – passivity is perhaps the incorrect word). Let me state clearly here that I do not valorize the former over the latter; the question of the law that governs the distinction between active and passive would no doubt have to be raised (it would consist primarily in the analysis of conceptual apparatus’ that determine oppositional thinking and more importantly how the subordination of one term over another has come about). This may turn up as a point of discussion another time. Let us for the moment stay with the promise of a discussion on Narcissism.
Why does the advent of ‘The Night Shift’ ‘come as no surprise’? It is precisely because the desire for appearance has, arguably, reached its nadir in the form of the Internet, which in turn harbors within it the very desire for globalization. Doubtless, the word globalization here slips in very easily into the lexicon that accumulates on the pages of this website; that is, a lexicon that privileges a Marxist vocabulary. Indeed, it is a word that has grown and developed out of certain Marxist trends. However, we should not necessarily understand globalization in the immediate sense of the term. Perhaps what is meant is rather the imaginary potentiality of an event that expands the length, width and depth of the globe. As such, ‘The Night Shift’ would be an expression of globalization (both the great texts of the major monotheist religions and the Manifesto of the Communist Party would likewise be similar expressions). If our text then operates around the general field of Narcissism and by now, the question of appearance, will and desire, we must ask the following: Whence the desire for globalization? This is an ostensibly simple question. To answer dogmatically (that is, simply), Capitalism, is to veer slightly off the mark.
It is incontestable that the activity and process of globalization can be examined within the frame of a critique of political economy, starting of course, with the critical analysis of the system of capitalism. But does this standpoint gain enough critical distance, or, a fortiori, is it possible to gain critical distance when one is caught within the immanence of the system one is trying to displace? Things are perhaps all too close to us, to human society; thus the generation of critical distance appears as an impossibility. If critique is a matter of proper distance from the reflexive object of criticism itself (what is meant by distance here: physical or ethical?), then it is absolutely necessary to take some distance from the Marxist schema that dominates the pages on ‘The Night Shift.’ This of course is not a disavowal of its injunction and the imperative to think with Marx. It is necessary however to examine and interrogate the prevalent theoretico-metaphysical presuppositions of Marx’s thought itself (for example, the Metaphysics of Labour, the Metaphysics of the world-view as presupposed in the eleventh thesis on Feuerbach [A German ‘materialist’ philosopher writing between Hegel and Marx who had, momentarily a strong influence on the humanist dimension of Marx’s thought], which if the reader is not familiar with it goes as follows: “The philosophers have interpreted the world, only in various ways; the point is to change it”), that is, its ideologies (by ideology I understand simply as a metaphysics that does not understand itself as such). Political economy offers only one way of approaching the figure of globalization. Another way is to consider, historically, pre-capitalist societies in order to begin to locate something called, generally speaking, the will to globalization.
I hope that the reader will forgive the following abstract assumption and I apologize in advance but I would like to keep the economy of this text to that of generality for the moment. The assumption is as follows: from the earliest formations of society, it has become clear that present within these social formations lies a certain will to globalize. What is meant by this phrase? The will to globalize is quite simply the collective drive and desire to dominate; a desire that is born out of the social antagonism of the event of the recognition of the very social itself. In the most general schematic, the social is recognized as such when one self-consciousness is attained; that is, when a being thinks itself as such (a being). This self-consciousness is only possible however through the passage and dependence of another self-consciousness (whose experience is reciprocated). One cannot say ‘I’, cannot mutely point to oneself, one cannot even think ‘oneself’ without the constitutive presence of another. Put very simply, no one is born independently; we all enter into family, which is, if anything, the most immediate articulation of the social (this immediacy however does not make the family a natural social structure or foundational it is simply the most familiar form of the social). This interdependence then is itself the very expression of social antagonism. However, what is presupposed here is the political figure of freedom. There is only antagonism insofar as freedom is the goal of the struggle to be recognized as self-conscious. This struggle for freedom is at times dangerous, often leading to death. Death, that is, the cessation of the very relation between one and its other, is the absolute annihilation the social. Thinking, technology, advancement, looks very small in light of the destruction of the solar system (one could even restrict this comment to the earth if one considers the global consumption of the earth’s natural resources, the systematic destruction of the ozone layer, the melting of the ice caps, etc.). And yet, on occasion death is not feared. History’s rhythms clearly illustrate that death is often the most valorized form of the affirmation of the social; this is a difficult paradox to come to terms with: the annihilation of the social is its living affirmation (I think it will be absolutely necessary to provide a systematic critique of the drinking habits of society, especially, the drinking habits of the economically advanced; but if the reader requires more historically ‘concrete’ examples, one need only look at the practice of human sacrifice of the Aztecs, the funerary rituals of the Ancient Egyptians and the practice of circumcision in Judaism and Islam).
This deathly (not dead but a living phenomenon veering towards death) affirmation of the social is of course analogous to the love Narcissus faced in the reflective occulus of his limpid tomb. Like all tombs, the body is not only housed within its structures, but the body and the self are liquidated (Ovid’s genius [Ovid – 43BC-17AD – was a Roman Poet whose most famous work is perhaps Metamorphoses, from which the poem of ‘Narcissus and Echo’ derives] is intensified when we consider the locus and form Narcissus’ tomb takes). Our tomb here is without question, cyberspace; a structure that, like the drowning waters of passion, liquidates space, time and, more importantly for the text here, subjectivities or how we come to understand the subject. Let us ask again ask the primary question that mobilized this text: why do we desire to appear? At the conjunction of the figure of Narcissus and the desire to appear, the problem is complicated. If, like Narcissus, we do not ask why we desire to appear, we simply restlessly and anxiously believe in the reality of ourselves, we then desire, in a depth that Narcissus perhaps secretly intuited, our disappearance. Disappearance, the culmination of the deathly desire for appearance, occurs when the waters are unrippled. The still pond marks the absence of Narcissus and perhaps – and this time I stress the word perhaps, the accent placed on the rhetorical trope of speculation which remains more innocent than mere rhetoric – it is only through a certain absence of Narcissus that we can operate. And yet, why do we desire to appear? A fortiori why do we write on the virtual wall of ‘The Night Shift’, which surely accelerates a Narcissism of the most grotesque kind? Perhaps the answer lies in the concept of desire. Desire is something that we have been referring to a lot; but what is desire for it to produce a certain modality of appearance?
On the one hand, we could argue that desire is determined by nature, or rather, by a natural relation. The human as merely conscious being is a rather weak entity in the ferocious world of nature. Before he understands himself as ‘man’ or ‘being’, he (should we say ‘it’?) is subject to the harshest realities of the natural world: he must take cover from the capricious weather; he must satisfy his hunger and thirst; he must establish a dwelling in which to rest, etc. The natural world as such is as of yet not the reflexive object for man, it is rather the subjectivity that subjugates man to a moment of mere objectivity. The natural relation determining desire constitutes man’s immanent will to survive. On the other hand however, this natural relation itself is overcome at the very point of desire, at the moment of its own appearance. Desire is as such a productive agency that allows for the manipulation and configuration of the world itself. It is what allows man to think; it is the primordially instigation of thought. Nature and thought cannot be separated: desire is what forms the relation between them. Between the two intertwining definitions, desire produces Narcissism. More abstractly, desire is the Narcissistic production of the human and the world it inhabits. Desire then begins to form a chain in which production, Narcissism, thought and Nature are links.
Maybe it is about time we considered Narcissism closer, taking as our point of departure here, the short cursory ‘definition’ provided at the very beginning of this text. Writing is a practice of Narcissism. All the more reason precisely because Narcissus (the mythical figure) could not write anything. The water of the pond is impenetrable; it remembers nothing, it traces nothing, which, in a way, means that Narcissus has no memory of himself or his deranged love (this lack of memory is perhaps what infinitizes Narcissus’ love, in so far as it springs new each time the pond calms and the image that reflects back is sharpened). Writing on the internet (websites, blogs, emails) is a very modern phenomenon. Indeed, writing is a peculiar activity, but perhaps the human is not alienated from its technicality. We understand writing as an extension of ourselves which has the power of recording the very relation of the self to itself. This is the Narcissistic core of writing. The Narcissism of the writer is intensified when within the time of a blink of the eye (how fast is information transmitted onto the internet now – the mere click of the button; this is not a cliché any more, it is quite simply the truth, the practice of writing on computers and working with the Internet) – that is, the time of Narcissus – the writings of the writer return to the writer himself in a moment of pure Narcissistic pleasure. The writer in the restricted sense of the one who contributes to the webpage – as I do here – is a Narcissus of the most intense form. In less than a second, a text that took hours, days, weeks, maybe even years to compose, is reflected straight back to the writer who in the same instance transforms, metamorphoses into a, or rather, the reader; the tightness of this circularity, of this economy of the exchange, is at times disquieting. It strikes the writer, who is nothing but the reader, as worrying as when the voyager lost shouts into the empty valley to hear nothing but the echo of his/her appearance. We notice here that Narcissism is not reducible to an image.
The experience of Narcissism does not just refer to an image or picture in the restricted sense of the word (which means that it can of course refer to images). The Narcissism that interests us here takes the form of a modality of a return to something that is attributed to the self; in this instance, I am interested in the use of writing and the use of names. The Narcissism of the writer as touched upon above is redoubled in the event of the signature of the name; that is, all our posts are named, either from the beginning or at the end. From this we could ask: is it possible that all our endeavours on ‘The Night Shift’ are secretly (but not too much) driven by a longing to see ourselves return onto the (virtual) page? Let us not think that this would be a reduction! The work, thought, vignettes, notes and texts archived and collected on ‘The Night Shift’ is to a certain extent irreducible precisely because of the Narcissism involved; that is, my question (part provocation part sincere) only performs a reduction if we understand Narcissism in the reduced (often negative) sense of the term. The task of Narcissism (would it even constitute a ‘task’) could no be re-appropriated methodologically. What I mean is, Narcissism, or at least the Narcissism that we are trying to develop, or, more precisely, trying to witness, to take account of, could not be molded into a determining, technical ethos or procedure that could at once offer itself up to infinite repetition (the consequences of this would clearly lead to the different and distinct institutional forms and contexts of disciplinarity we face daily). This leaves the necessity of mastery asunder: the force of Narcissism must be left un-mastered; or rather, the very force of Narcissism is un-masterable.
How to un-master our relation with Narcissism? Maybe we need more time. Maybe the process of slowing down is required. This tempo-dynamics does not immediately appear possible within the virtual reality of cyberspace. Certainly, let us not disavow Narcissism. Maybe it requires redeeming somehow. The difficult question that arises here is that of the mode of presentation: is the website the best way of presenting the ideas that ‘motivate’ its injunction to be, that is, to appear somehow? Or does it operate too immanently within the dangerous circularity of a Narcissism that desires only its annihilation? Have we sufficiently interrogated this desire to appear? Perhaps we should think to communicate otherwise, slower; this would derail the insistence of using the Internet all too destructively. As a slight digression, I find it very interesting today that on a cultural level we think it inconceivable that one did not have access to the Internet; this appearance of inclusion is perhaps an illusion, an illusion that neutralizes the voice of another. The Internet is maybe not the (technological) ground for our commonality; it is something that is maybe not shared.
Consequently, it is another modality of the will to globalize, which, appropriated a certain way, could form into the will to dominate which is a will that would always require the active subservience of its other. One would have to provide a systematic critique of this mode of communication (does it even communicate if communication is the affirmation of commonality?). Communism, in its historical forms (which was once fashionably referred to as ‘Soviet style communism’), has been superseded. But, the trace of its injunction is clear and has been re-inscribed in the promise of democracy: to build a politics on a common foundation. This is why, the specificity of our current historical conjunction is so volatile: perhaps the question of the environment, the consumption of the world, gives us a chance to re-think politics and the politics of commonality. What else do we share absolutely other than the totality of the geo-physical world (even though we, as of yet, do not share it equally; nevertheless, the dominance of hegemonic political powers are established on the resources of the world and once it is emptied of its source, death is imminent)?
This, in a very peculiar way, always comes back to the deathly figure of Narcissus (sharing, commonality, start with division, antagonism). That is, a return to the micro-politics of the relation of the self to itself, which, more than anything, is not a process of individuation, rather, it is the development of an ethics that tries to first describe how and why the self relates which could result in nothing but the affirmative de-individuation of the self or the proliferation of the self as many selves.
Hammam Aldouri